Pauline Curnier Jardin & Feel Good Cooperative, Le Colonne della Colombo, If Body 2023, LOCALES, Rome, 2023. Photo Angela Scamarcio.
Pauline Curnier Jardin & Feel Good Cooperative, Le Colonne della Colombo, If Body 2023, LOCALES, Rome, 2023. Photo Angela Scamarcio.
Pauline Curnier Jardin & Feel Good Cooperative, Le Colonne della Colombo, If Body 2023, LOCALES, Rome, 2023. Photo Angela Scamarcio.
Pauline Curnier Jardin & Feel Good Cooperative, Le Colonne della Colombo, If Body 2023, LOCALES, Rome, 2023. Photo Angela Scamarcio.
Pauline Curnier Jardin & Feel Good Cooperative, Le Colonne della Colombo, If Body 2023, LOCALES, Rome, 2023. Photo Angela Scamarcio.
Pauline Curnier Jardin & Feel Good Cooperative, Le Colonne della Colombo, If Body 2023, LOCALES, Rome, 2023. Photo Angela Scamarcio.
WHERE THE MOON IS UP, Aeroponic Acts 2023, Dutch Art Institue (DAI). Communication Design by Hanna Rullmann.
Point it against gravity and watch it fly by Cornelia Isaksson. WHERE THE MOON IS UP, Aeroponic Acts 2023, Dutch Art Institue (DAI). Photo Dandelion Eghosa and Nash Caldera.
A side: ONE LAST PRAYER - B side: ẹKÙN by Pelumi Adejumo. WHERE THE MOON IS UP, Aeroponic Acts 2023, Dutch Art Institue (DAI). Photo Dandelion Eghosa and Nash Caldera.
It’ll all end in Tears by Maxima Smith. WHERE THE MOON IS UP, Aeroponic Acts 2023, Dutch Art Institue (DAI). Photo Dandelion Eghosa and Nash Caldera.
CEREMONY (Burial of an Undead World), Haus der Kulturen der Welt (HKW). Communication Design by NODE Berlin Oslo.
[1] Peter Minshall, Sketch for the Adoration of Hiroshima, 1985. Courtesy of The Callaloo Company, Chaguaramas, Trinidad. [2] Stan Douglas, Deux Devises (still), 1983. © Stan Douglas. Courtesy of the artist, Victoria Miro and David Zwirner. [3] Cecilia Mangini, Stendalì suonano ancora (still), 1960. Courtesy of Fondazione Cineteca di Bologna. [4] Lemohang Jeremiah Mosese, This Is Not a Burial, It's a Resurrection (still), 2020. Courtesy of the artist and Memento Film International. [5] Tabita Rezaire, Fertility altar, 2022. Courtesy of the artist and Amakaba. [6] Jane Jin Kaisen, Burial of this Order (still), 2022. Courtesy of the artist.
Exhibition view. CEREMONY (Burial of an Undead World), Haus der Kulturen der Welt (HKW). Photo Studio Bowie.
Così si ama by Pauline Curnier Jardin in CEREMONY (Burial of an Undead World, Haus der Kulturen der Welt (HKW). Photo Studio Bowie.
Carlo Ginzburg at Storia Notturna and The End of The World series of lectures. CEREMONY (Burial of an Undead World, Haus der Kulturen der Welt (HKW).
Alberico Larato with his sons Guglielmo Larato and Giuseppe Mattia Larato at Storia Notturna and The End of The World series of lectures. CEREMONY (Burial of an Undead World, Haus der Kulturen der Welt (HKW).
Bella come te, in carne ed ossa come me (Beautiful like you, in flesh and boned like me). tuttə (le) rottə - all (the) ways: unfixed, Aeroponic Acts 2022 - Dutch Art Institute (DAI). Photo Baha Görkem Yalim.
Bella come te, in carne ed ossa come me (Beautiful like you, in flesh and boned like me). tuttə (le) rottə - all (the) ways: unfixed, Aeroponic Acts 2022 - Dutch Art Institute (DAI). Photo Baha Görkem Yalim.
Blind Sensorium. Il paradosso dell’Antropocene Sourcebook, Volume I and Volume II.
Blind Sensorium. Il paradosso dell'Antropocene. Museo Archeologico Nazionale Domenico Ridola and Matera 2019 Foundation, Matera, Italy. Photo: Armin Linke